Modern roses

Modern roses

Modern roses

We can attribute the name of modern roses to all those rose varieties created by man since the late 1800s, the result of crosses between the various species originating from China and the Far East. The modern rose par excellence is Tea, the result of the encounter between the Gigantea rose and the Chinensis rose, and many hybrids derived from it.

We can divide modern roses into: tea hybrids, modern shrubs, ground cover, English, polyantha, miniature and floribunda.

Hybrids of Tea

These varieties of roses bloom repeatedly from April to February and have single flowers or in any case in very small numbers; they are characterized by their long stem. Generally, cut roses are tea hybrids.

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Modern shrubs

These roses do not have a distinguishing feature; many of them are given by the union of botanical roses and modern roses, in order to create robust but elegant plants with generous flowering. They are robust and very beautiful, often used to create hedges, to decorate parks. They too produce flowers several times until the cold season arrives. Some names can be: Nevada, Angela, Gipsy Boy, Isabel etc.

Ground coverings

Ground cover roses are very useful when you want to create beautiful splashes of color, hedges or simply decorate gardens, roadsides, parks, etc. in a simple and elegant way. These roses are grown very close to each other, creating very dense and decorative bushes. Generally, those roses that reach a maximum height of about fifty centimeters are used, but some ground cover roses can even reach a few meters. A very important feature of these plants is that, by growing very close and dense, they do not allow other plants or weeds to develop.

Generally, these roses are very hardy and require little specific care, have repeated blooms and can have different colors. Some varieties of this type of rose are: Alba Meidiland, Amulett, Bossa Nova, Cambridgeshire, Swany etc.


They are called English roses because the different varieties were created from the unions and crosses between ancient and modern roses made by the Englishman David Austin during the seventies. Aesthetically they are very beautiful and the most distinguishing feature is the scent of the flowers which often varies according to their color. They are roses that have no particular needs and can be grown for different purposes, very often also as climbers to form hedges, decorate walls, etc., as they can reach considerable heights. The flowers are of medium-large size, formed by numerous petals of various colors.


The roses belonging to this variety all derive from the dwarf multiflora rose, they have the characteristic of being very robust and suitable for various uses such as creating hedges, decorating roadsides, parks and also being grown in pots. These plants create small bushes and develop many flowers grouped in bunches and small leaves. Some names: Flocon de Neige, Little White Pet, Paul Crampell etc.


Miniatures are very beautiful and nice roses, easy to grow even in pots and therefore very suitable for decorating and embellishing balconies, terraces and small spaces. They are perennial plants with a bushy habit, they develop beautiful and colorful flowers continuously from spring to autumn-winter. Like most roses, miniatures also have thorns covering the stem. Also belonging to this variety are roses characterized by a rather low growth, very useful for decorating small green spaces; they too bloom several times and have very colorful flowers.

As mentioned above, these roses are very easy to care for, the important thing will be to carry out the main and indispensable operations at the appropriate time; they will be pruned and fertilized at the beginning of the spring season and, if the pot has become too narrow, it will be necessary to repot.


As the name implies, this variety of roses produces a large quantity of flowers repeatedly; they are the result of unions of hybrids of Tea and Polyantha roses. These plants have a vigorous and very branched development and can reach a height of over one meter even if, in most cases, we find them around seventy centimeters. The flowers of this variety are medium-small, grow double or grouped in quantity and bloom from April until the winter season. Very often we opt for the choice of these roses as they give life to numerous and colorful flowers that are used in a particular way to create flower beds, hedges or very decorative jars.

Whatever rose we choose will surely be able to embellish and make our garden or other green space more complete, this beautiful flower has the great ability to give elegance and good taste to any place.

Modern roses: a new book for those who love roses

How can you not love roses, modern or ancient? For those who love modern ones in particular, a new book has been released, for the types of Edagricole - New Business Media, which is called propio Modern, tea, floribunda, landscape, English, vase roses.

A super expert wrote it, Rinaldo Sartore, who dedicated almost 50 years of his professional life to roses: first in his father's company, for over a century dedicated to the production of cut roses, then, from the early 1980s, following the reproduction from apical cutting that soon replaced the crop of the severed. To the modern rose trees he immediately joined a hundred species and ancient varieties collected by his father, which later merged with passion into the Antico Roseto ® line along with many others. Today theNino Sanremo company, led by his son Marco, reproduces over 470 species and varieties of ancient and modern roses: the passion continues. And it allowed Rinaldo to reveal all the secrets of the floriculturist to be successful with these magnificent creatures.

What to find in the book Modern roses

In fact, there are several hundreds of modern roses, divided between tea, floribunda, English, landscape and mini, each category full of ever new varieties.

In this book we teach you how cultivate them successfully, unraveling between the plant in the ground or in pots, ordinary and extraordinary maintenance, obtaining a rich and long flowering, protection from diseases and parasites, pruning which often represents an enigma, multiplication, grafting and repotting.

And above all we tell you about the variety the most beautiful, the ones that cannot be missing in your garden: they are all easy to buy and grow, and we will show you the characteristics of each, as well as the ideal setting.

It is the ideal book for those who love modern roses and want to know them better in order to be able to use them in the best way on their own garden or terrace.

How the volume is composed

The volume starts from the history of modern roses, in the different types, describing what they are, how they were obtained and how they appear, follows an extensive chapter on the choice of variety also according to the type of plant then describes the cultivation techniques: the place of planting, the parameters of the substrate, the planting, the actual cultivation with also reproduction and grafting, the defense against diseases and parasites, pruning, the use of flowers and fruits and ends with a handy glossary.

In particular, the chapter dedicated to unmissable varieties describes the best modern rose cultivars, all readily available and simple to grow. Each is illustrated with a photo and is accurately described in its distinctive details.

Taken as a whole, the volume allows you to get to know the vast world of modern roses, to cultivate them obtaining the maximum results in your own green space.

The index

  1. Background
  2. The Rosaceae
  3. Choice of variety
  4. Types of roses on the market
  5. Plant locations
  6. Soils and loams
  7. Transplant in the garden or in pots
  8. Cultivation
  9. Diseases, parasites and remedies
  10. Pruning
  11. Uses of flowers and fruits (with recipes)
  12. Unmissable varieties
  13. Glossary

Modern Roses

The Modern Roses conventionally belong to all the roses obtained after 1867. The progenitor of this group is “La France” obtained by Jean-Baptise Gulliot, a cross between a re-flowering hybrid with a Tea Rose.

Modern roses bloom from spring to autumn and are very heterogeneous with each other both in bearing and in shape. The varieties are characterized by small compound or enlarged bushes, with erect or fountain shrubs and vigorous or small climbers. The flowers are single, double, straddouble, cupped, quartered, retroflexed and available in a wide range of hues except blue.

The Hybrid Tea Roses belonging to this group are the ones that marked the figure of the rose in the collective imagination. In fact, the pointed shape of the flower, the wide range of colors and the development of long stems, were the factors that contributed most to the spread and popularity of these roses, also used for the cut flower.

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      • Rose Polyanthe 25
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      • Hybrid Tea Roses 109
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The Modern Roses conventionally belong to all the roses obtained after 1867. The progenitor of this group is “La France” obtained by Jean-Baptise Gulliot, a cross between a re-flowering hybrid with a Tea Rose.

Modern roses bloom from spring to autumn and are very heterogeneous with each other both in bearing and in shape. The varieties are characterized by small compound or enlarged bushes, with erect or fountain shrubs and vigorous or small climbers. The flowers are single, double, straddouble, cupped, quartered, retroflexed and available in a wide range of hues except blue.

The Hybrid Tea Roses belonging to this group are the ones that marked the figure of the rose in the collective imagination. In fact, the pointed shape of the flower, the wide range of colors and the development of long stems, were the factors that contributed most to the spread and popularity of these roses, also used for the cut flower.

13 ideas for decorating the garden with roses

A dream pergola: the pink of different totalities give a truly unsurpassed romanticism, which refers to ancient atmospheres!


Red roses along the fence: a riot of natural beauty that never tires because it is renewed with equal amazement.


Pink roses, small, delicate, that grow above the entrance gate to the garden: it is like entering another world, made of purity.


The small flowered pergola overlooking the staircase in the garden: roses become an essential element, full of class.


The arch in the garden is an architectural element of great stylistic harmony if it is then covered with roses, it becomes even more spectacular.


A corridor of roses that crosses the garden, with the colorful triumph of its innate beauty! Roses are the true enchantment that becomes reality!


An outdoor space must be decorated with care: roses fulfill this need and bring a breath of tenderness. Pink jewels, which brighten the air around, in a garden that becomes a magical nest of unparalleled relaxation.


Above the walls, in the garden, roses grow luxuriantly and give that touch of elegance that must always accompany the aesthetics of an outdoor space.


Red like passion: here are the roses that have always been a symbol of love and that create corners of great beauty in the garden, where romanticism becomes the distinctive feature.


Like in a painting: a glimpse of tenderness, made of pink roses that decorate the metal structure. A great visual harmony!


Pink roses on the white fence: a great chromatic impact! Roses know how to create a chromatic picture that captures the attention.

© ©

Yellow and red, for a hug that has no equal. A unique color palette, for an effect that leaves you breathless: roses are pure passion!


See also: A garden arch for an enchanting exterior! 13 inspirations

Monet and his garden

"Gardening is an activity that I learned in my youth when I was unhappy. Maybe I owe it to flowers that I became a painter ".

Gardening is a great passion of mine. Not being able to "exercise" it much in winter, I spend my free time looking for inspiration. Between books, texts and blogs, this beautiful article about Monet and his great passion for gardening came up. I liked it so much that I decided to offer you some excerpts because I find it really curious. He paints the man Claude Monet well. Good reading .. waiting for spring.

Claude Monet indulges in this unusual confidence in his mature years, when his sight declines.

Growing up in a small town north of Le Havre, on the Norman coast, in a family forced to rent rooms to make ends meet, he began at a very young age to portray the surrounding landscape on sketchbooks. Eugène Boudin, fond of marine scenes, encourages him to paint outdoors. Monet argues that with Boudin "my eyes opened and I truly understood nature." Stoic, impervious to sun and frost, the painter spends entire days observing the changes in the light reflected on the sea, on the facade of a cathedral, on a sheaf of wheat, on a snowy landscape.

Standing before dawn, he thinks that painting the garden he created, around the pink house in Giverny, is "an act of faith, an act of love and humility".

When he begins to conceive what is today the most visited garden in the world, in the West, due to its size, Monet has modest ambitions.

She wants to grow flowers to portray when the weather is bad outside. Plant seeds, bulbs and seedlings on your own. His children water in the evening.

The art critic Octave Mirbeau describes him sunburned, in shirt sleeves and happy, "his arms covered with fertile black earth".

The purchase of the country house 50 kilometers north of Paris, in Normandy, coincides with the surge in the values ​​of the canvases painted by this "impressionist" who has survived years of economic hardship.

Monet, after providing for the needs of his large and extended family, concentrates his energies and economic resources in the creation of his garden.

In a 1901 article for "Le Figaro", Arsène Alexandre notes that: "The man who seems laconic and cold in Paris is completely different here: kind, serene, enthusiastic. When a motif brings him to boulevard territory, he has a smile that takes an ironic or sarcastic turn. In her garden, among her flowers, she radiates benevolence. For months on end, the artist forgets the existence of Paris, his gladioli and dahlias support him with their superb refinement - and make him forget about civilization ".

Before buying the Giverny property, Monet was already an experienced gardener.

He has grown flowers and plants in various rented houses, with open-air spaces. In Vétheuil, on a steep bank that descends towards the Seine, it plants yellow sunflowers and orange nasturtiums. The painter loves the contrast of these warm colors with the blue of the river and the blue of the spring sky.

His friend Auguste Renoir portrays him while he paints a garden full of flowering rose bushes in Argenteuil, a small town not far from Paris.

Edouard Manet also left us a portrait of Monet, his first wife Camille-Léonie Doncieux and his son Jean in the garden of the house in Argenteuil. The future creator of Giverny is bent over red flowers, perhaps poppies or geraniums. Next to it, on the grass, there is a large gray watering can.

The friend with whom he most shares his nascent passion for gardening is the painter Gustave Caillebotte. Owner of a large garden with a large greenhouse in Petit-Gennevilliers, Caillebotte creates long narrow, long and straight parterres that he loves to paint because they create unusual perspectives. Monet recreates the same rigorous flower beds in Giverny, with the intention, however, of making them overflow with plants, flowers and colors.

A keen observer of nature, Monet is a tireless walker. He is enchanted by a meadow where pink and red poppies bloom, against a background of silver-gray sage bushes. The vibrations of light on the water, the effect generated by the mist on a hot and humid day, the slight disturbance created by a breeze in the foliage: Monet contemplates the world around him for his entire life, attentive to the slightest variation, at most little change. He once declared that only two things excite him: «painting and gardening».

Purchased in 1890, the Giverny property will eventually consist of three distinct areas.

The flower garden, called Clos Normand, was born in front of the facade of the house.

Beyond the railway, in a swampy terrain, the painter creates, with difficulty and after having clashed with the local authorities, his water garden where he will plant the water lilies.

The vegetable garden and fruit trees are grown on a separate property, the Blue House.

Each sector occupies approximately one hectare of land. When Monet settles in the house with his second wife Alice Hosched, her children and her two children, an orchard made up of old and battered apple and plum trees surrounds the building. The painter decides to have trees felled to create a garden composed exclusively of flowers. At the time it was an innovative and bizarre idea. According to Derek Fell, author of what is perhaps the most instructive book on this work: "The Magic of Monet's Garden" (Buffalo, NY, 2007), the work begins with the arrival of good quality cartloads of earth, of manure and the peat necessary to counteract the alkalinity of the soil and create the slightly acid humus that Monet needs to obtain rich blooms.

Over time and with the explosion of his botanical passion, Monet hired a head gardener and up to eight assistants.

If he is traveling, the painter sends instructions by letter: «Plant 300 jars of poppies, 60 jars of sweet peas, 60 jars of argemon (white thorny poppies) and 30 yellow poppies. In the greenhouse, sow blue sage and water lilies. Plant dahlias and marsh irises… If peonies arrive, put them on the ground immediately, if the weather permits, but make sure you protect them from frost and sun. Prune - do not allow roses to stretch too far apart from the oldest, thorny varieties. In March, sow the grass, divide the nasturtium seedlings, and take care of the gloxinias and orchids in hot and cold greenhouses. Plant the parterres as planned. Put the iron wires to pick up the clematis and climbing roses. If the weather is bad, make rattan mats, but less thick than last time. Plant the water garden rose shoots in the manure around the chicken coop. […] Immediately plant the perennial sunflowers and activate the rebirth of chrysanthemums ».

It is quite rare for Monet to be away from Giverny when spring arrives. Invite your friends on a specific day to admire the flowering of the mass-planted bearded irises at the most favorable moment. Today the recreated garden houses more than one hundred thousand types of plants.

Claude Monet took care of Giverny for forty years.

He modifies it, expands it, but before adding a new botanical species to the garden, he places it in the specially created parterres, near the greenhouse, to see if it satisfies him, if he likes it.

He reads catalogs of bulbs and seeds and receives all the specialized gardening magazines. In his library there are many volumes dedicated to plant cultivation and landscaping. He keeps in touch with many specialized nurserymen. For the pictorial effects that he relentlessly pursues, he prefers strong and bright colors in his flower beds.

Even today in Giverny the plants are placed in the ground very close together, to recreate the original mass of generous blooms. The red, pink, orange and yellow tulips herald the arrival of spring. Japanese cherry trees, lilacs and foxgloves bloom. Blue, blue and purple bearded irises follow. In the summer, gladioli in shades of red, yellow and orange hatch, with phloxes, cosmoses, hemerocallis, eremurus, verbaschi and cleome hassleriana. Monet loves lilies, especially the fragrant Japanese variety, Lilium auratum. The fiery red dahlias bloom until late autumn, when asters and chrysanthemums bloom.

It has long been said that Monet did not want hybrids and double flowers in his parterre, but in reality all of his tulips were hybrids, such as roses, irises, gladioli and water lilies. The painter is willing to go to Holland and England to observe the new creations of the hybridizers. He wants to be the first to use a new shade or color scheme. Use white flowers, such as daisies, myosotis, and Hesperis matronalis to bring out the more vibrantly colored flowers. He loves simple flowers, because the petals let the light through, but he also appreciates the impact created by the voluminous inflorescences of the "Cactus" dahlias.

Monet has acquired over time from various nurserymen: including Georges Truffaut, Vilmorin and Moser & Fils (creator of the famous clematis Nelly Moser). For hybrid peonies he turns to Blackmore & Langdon, England. He regularly visits the seed beds of the famous British firm Thompson & Morgan, from which he purchases thousands of sachets of seeds. For water lilies, however, he turns to the Latour-Marliac nursery, still in existence. At a time when there are only white water lilies in France, Monet writes an admired letter to Joseph Bory Latour-Marliac when he manages to create a hybrid of pink water lily. Japanese friends such as the merchant Kuroki and his wife, Princess Matsukata, send peonies with a simple flower as a gift to the artist when he begins to become passionate about the aesthetics of the land of the Rising Sun. Thompson & Morgan create an oriental poppy hybrid named Monet, in honor of their illustrious client. Unfortunately it is a flower that has now disappeared.

From the walks on the hills surrounding his property, the artist brings back seeds of wild flowers, which he throws in the flower beds. He considers field poppies, yellow primroses, violets, daisies, cornflowers and foxgloves "the soul of the garden".

Giverny wasn't created in a single day. It required patience, errors, changes, reasoning. In the search for the combinations of colors that give him greater satisfaction, Monet finds a source of inspiration in the writings of the English landscape architect Gertrude Jekyll. Also suffering from vision problems, Jekyll has worked all her life on color combinations that work best in spaces cultivated by man. On the iron arches that he disseminates in his garden, Monet climbs blue clematis and climbing yellow and orange nasturtiums. Combine American Pillar red roses and clematis of a blue tending to violet. It mixes the pale yellow of the honeysuckle flowers with the ruby ​​red of the “Blaze” roses. Monet loves contrasts: yellow and purple, orange and blue, red combined with pink and green. Also experiment with black and white, black and orange and gray-leaved plants to bring out the contrast between red and green. For the "black" he uses plants such as tulip, scabiosa, violets and irises in very dark purple tones.

With the cataract limiting his ability to observe details, the painter aims to create masses of color that capture light, reflecting it. It is the creation of a vibration, a glow, the flickering created by the light that interests Monet.

An impressive number of plants are planted in the Clos Normand. Bluebells grow in the shade of ornamental prunus, daffodils bloom under flowering apple trees, hydrangeas, mallows, verbasks and lupins grow under lilacs. The nasturtiums, the beloved “capucines”, are allowed to invade the wide gravel path leading to the house, shaded by a pergola covered with climbing roses. Peonies and oriental poppies stand out in the parterre. The penumbra is suitable for candlestick primroses, rhododendrons, Erysimum cheiri. Cosmos flowers, lilies, delphiniums, lavender plants and red geraniums contribute to summer joy.

After long discussions, Monet manages to convince his second wife, Alice Hoschedé, to cut the fir and cypress trees that block the light from the garden. Peonies, which at first are grown separately, as cut flowers to fill the pots throughout the house, move to the parterre. They are perhaps the first sign of Monet's passion for Japanese gardens.

THE AQUATIC GARDEN - After ten years spent inventing the Clos Normand, and portraying the abundant blooms in primary colors on canvas with his quick touch, Claude Monet turns his attention to the land at the end of the property, as well as the railway. He buys the damp earth and decides to create a water garden.

It is not an easy task. The painter, who was 53 at the time, had to divert the flow of a river, the Ru, to let fresh, oxygenated water enter the pond. He asks the local authorities for permission to build two wooden bridges and install a pump that, he promises, will not lower the water level of the connected Epte river. Monet also guarantees that he only intends to grow aquatic plants. The people of Giverny are suspicious. They fear that the water lilies and other exotic cultivars that the artist wants to plant will propagate in the surrounding river beds, poisoning the water.

After an initial refusal, Monet again asks for permission to create a garden "which will delight the eyes" and which will provide him with "subjects to paint". The journalist C. F. Lapierre, very influential in the region, supports him with a press campaign. The prefect gives in and Monet gets permission to start work.

Thus was born the pond, which was then considerably enlarged. Around the stretch of water, weeping willows with drooping branches, bamboo, Japanese ornamental cherry trees, ginkgo biloba are added to the existing poplars and birches. A winding path is created along the shore, lined with heather, rhododendron, kalmie, ferns, azaleas and hydrangeas. The roots of the water lilies are placed in concrete bases at the bottom of the pond, so that the plants do not spread and become weeds. Now there is a gardener who only takes care of this new space. The bridge is clearly of Japanese inspiration. But instead of painting it coral red, like the bridges you see in Hokusai's and Hiroshige's prints, he has it painted a bright green. Later he creates a pergola above the bridge, covered with purple and white wisteria. Over the years, the surrounding forest is enriched with new trees: Japanese quince, alder, tamarisk, holly, ash. In the twilight, bushes of raspberries, agapanthus, lupins, rhododendrons and tufts of Pampas grass are planted.

Fascinated by the potential of this new, silent and peaceful place, Monet observes it for a long time, lets it evolve, before starting to portray it on canvas. “It took me a long time to understand my water lilies. I planted them for the sake of planting them, and I cultivated them without thinking of portraying them… You don't absorb a landscape in a single day », declares the painter. Calling his first paintings "impressions", he gave his name to the movement that changed the history of art in the second half of the nineteenth century in France: Impressionism.

Monet arrives at the pond before dawn. He insists with his friends that they see him before sunset, when the water lily flowers close. Buy a wooden boat, which is then fitted with a canopy, to slide over the water.

He paints from the boat, tied to the ground by a rope. Or from the ground, overlooking the bridge and its reflection that makes the image perfectly circular.

The stepdaughter Blanche, who took care of the green space after the painter's death, wrote that, for Monet, the garden "was the only distraction after the fatigue and exhausting commitment he put into his painting".

Introspective in nature, today Monet's lake garden is considered a cup garden, a cup-shaped garden in the Japanese tradition. "If you really need to find me an affiliation, choose the Japanese of the past," Monet told a reporter. «Il loro gusto rarefatto mi è sempre piaciuto e apprezzo le implicazioni di una visione estetica che evoca una presenza con un’ombra e il tutto attraverso un frammento»

Monet, però, non accetta tutto quello che viene amato nel paese del Sol Levante: non ama i bonsai, e neanche le cascate. E anche se inizia ad apprezzare i fogliami sovrapposti in lontananza, continua a mettere macchie di colore vivace che si riflettano nell’acqua: iris viola e gialli, astilbe rosa e azalee porpora.

Con la scomparsa della moglie Alice nel 1911, seguita da quella del figlio Jean tre anni dopo, Monet soffre di momenti di grave depressione negli ultimi anni della sua vita. Perde anche due cari amici: Paul Cézanne e Pierre-Auguste Renoir. Nel 1914, quando scoppia la prima guerra mondiale, i suoi giardinieri lo abbandonano.

La sua vista è compromessa e soffre di enfisema. In pieno conflitto, nel 1916, costruisce uno studio per terminare le sue ninfee. Si mette all’opera e crea pannelli, chiamati Grandes Décorations, che ammutoliscono chi li contempla, con la loro trasognata magia. Durante la guerra rifornisce di verdura fresca l’ospedale per soldati feriti di Le Prieuré. Al termine del conflitto Monet promette di regalare le sue ninfee al governo francese. I suoi giardinieri sono tornati. E lui si raccomanda, mentre liberano il suolo dalle erbacce: «Controllate che la terra di compostaggio sia diventata soffice e friabile».

Quasi cieco, lavora alle ninfee fino al 1925, fra dubbi, ripensamenti e momenti di sconforto. In novembre viene a fargli visita lo statista Georges Clemenceau.

Il proprietario di Giverny racconta che ha appena ricevuto una spedizione di bulbi di gigli giapponesi. «Vedrete la loro bellezza in primavera. Io non ci sarò più», dice il pittore all’uomo politico che lo ama e lo incoraggia. Claude Monet si spegne il 5 dicembre del 1926. Lascia scritto: «Seppellitemi come un uomo del posto. Voglio solo parenti dietro al feretro. E soprattutto ricordatevi che non voglio né fiori né corone al mio funerale. Sono onori vani. Sarebbe un sacrilegio fare razzia dei fiori del mio giardino per un’occasione del genere ».

Articolo di Delfina Rattazzi
29 aprile 2009

Come si cura una rosa malata

La rosa è purtroppo una pianta molto soggetta agli attacchi dei parassiti, soprattutto afide verde e ragnetto rosso. Per combatterli puoi effettuare dei trattamenti a base di piretro-4 oppure di azadiractina, due tipi di insetticidi biologici e naturali. Puoi utilizzarli sia quando l'attacco è in corso, sia come misura preventiva, durante i mesi primaverili.

Se invece il tuo fiore è preda dei funghi, dovrai eliminare subito le parti danneggiate. Te ne accorgerai perché potrebbero comparire macchie di tipo diverso: muffa di colore biancastro su boccioli e germogli, segni marrone scuro sulle foglie, macchie nerastre e bordate di giallo che partono dalle foglie e si espandono anche sullo stelo e sulle spine.

Come hai visto, non è poi così difficile prendersi cura di una rosa. Ricordati solo che la stagione migliore per piantarla va da ottobre a febbraio, in base al clima della tua zona.

Piantare le rose a cespuglio

Le rose a cespuglio apprezzano un luogo soleggiato, arieggiato e luminoso e non tollerano i luoghi chiusi. Il risultato migliore è dato da tre a cinque rose a cespuglio, che fioriranno per lungo tempo, da Giugno a Novembre. La maggior parte delle rose a cespuglio su può essere reciso, quindi puoi goderti questi bellissimi fiori anche all'interno.

Per ulteriori consigli sulla piantagione e cura delle rose grandiflora, visita il nostro sito.

Dai anche un'occhiata ai seguenti prodotti e informazioni sulle rose:

  • Rose da siepe
  • Rose dallo stelo lungo
  • Piantare e fertilizzare le rose a cespuglio
  • Potare le rose

Video: Modern roses at the Rose Garden in English